Writing and Rewriting and Rewriting again . . .

Editing V1

Books aren’t written - they’re rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn’t quite done it”. - Michael Crichton

I found this quote this morning as I was coming to terms with just how much work the rewriting process was going to be if I actually wanted to publish my first novel.

Writing for publication is different, much different, than writing to say you’ve written. I can say I’ve written two books, and about a dozen short stories. But I can’t say I’ve published any of them. They were practice. I’m the type who learns by doing and the only way to learn how to write is to actually do it, right?

Well, it was challenging. I learned a lot, and it was fun. Hey - this writing stuff is pretty cool, right?

Then I decided it was time to up the stakes. To write for publication. I finished what I thought was a pretty good first draft of a novel. Then I painstakingly went through it, line by line, page by page, making the changes I felt would get it ready to send to a professional editor. Whew - this editing stuff is tough, but not that bad. I made the changes, then decided to read it again.

Writing is rewriting”. - Earnest Hemingway

What I read horrified me. Had it actually gotten worse?

No, it hadn’t gotten worse, it just hadn’t gotten much better. I’d fixed the obvious things, but there is still much to do. I’ve got scenes that don’t advance the story. I’ve got too much lame dialog. I’ve got vague settings, and I’ve got too many adverbs. Basically, what I’ve got is a second draft that isn’t yet close to being a polished manuscript.

When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.” - Stephen King

That’s where I’m at now, at the beginning phase of realizing just how much work is going to go into this thing before it’s ready for another living soul to read it.

Shamus Awards to be Presented this September

shamus winners bannerThe Shamus Awards are presented annually by the Private Eye Writers of America to recognize outstanding achievements in Private Eye fiction.  This years winners will be presented at the PWA banquet on September 20, 2013, in Albany, New York, at the annual mystery conference called Bouchercon.

The finalists for each of the awards were announced in July, but since this site didn’t exist then I’m posting them now.  Chuck Greaves, the author of Best First P.I. Novel nominee for Hush Money, will be a guest on Murders, Mysteries and Mayhem in October.

BEST HARDCOVER P.I. NOVEL

  • Robert B. Parker’s Lullaby by Ace Atkins *
  • Taken by Robert Crais *
  • Hunting Sweetie Rose by Jack Fredrickson
  • Blues in the Night by Dick Lochte
  • The Other Woman by Hank Phillippi Ryan *

BEST FIRST P.I. NOVEL

  • Hush Money by Chuck Greaves *
  • Murder Unscripted by Clive Rosengren
  • Black Fridays by Michael Sears
  • Racing the Devil by Jaden Terrell
  • The Twenty-Year Death by Ariel S. Winter

BEST ORIGINAL PAPERBACK P.I. NOVEL

  • Death Warmed Over by Kevin J. Anderson
  • And She Was by Alison Gaylin
  • Archie Meets Nero Wolfe by Robert Goldsborough *
  • False Negative by Joseph Koenig
  • Pulse by John Lutz

BEST P.I. SHORT STORY

  • “The Sequel” by Jeffrey Deaver in The Strand
  • “After Cana” by Terence Faherty in Ellery Queen’s Mystery Magazine
  • “O’Nelligan and the Lost Fates” by Michael Nethercott in Alfred Hitchcock’s Mystery Magazine
  • “Illegitimati Non Carborundum” by Stephen D. Rogers in Crimespree
  • “Ghost Negligence” by John Shepphird in Alfred Hitchcock’s Mystery Magazine

BEST INDIE P.I. NOVEL

  • Stranger in Town by Cheryl Bradshaw *
  • Enamorted by O’Neil De Noux
  • One-Eyed Jack by Christopher J. Lynch
  • White Heat by Paul Marks
  • Devil May Care by James Mullaney

* Books I’ve read at the time of this posting.